We reached a lot of milestone markers in the success of Metal Noise in 2021 and while we weren’t able to bring you anywhere near as many live reviews as we’d hoped for or any summer Festival coverage (for obvious reasons), there were some real bucket list moments chalked off, including our fly on the
One of the biggest unexpected pleasures of the year has to be “Nervures” by Michel Anoia, nothing short of a vicious blend of Death Metal, Black Metal, Mathcore and Grindcore. Recorded by Charles with his Schecter Blackjack 7 in Garageband with the Abasi Plugin by Neural DSP, here’s one of the stand out cuts from
[Warning! Spoiler Alert!] Having revealed that despite it’s billing as their third and final album Michel Anoia will be continuing on in some way, shape or form after “Nervures” in the first of two exclusive interviews we have with the band last week, this second one is shall we say something a bit less dramatic
One of the finest pieces of Power Violence meets Avante-Garde Black Metal albums since… well… “Alphaville” by Imperial Triumphant has to be the recently received “Nervures” by Michel Anoia. The billboard may have read “Third and Final album” but [Spoiler Alert] they’re not calling it quits as was brought up by the Frenchmen in a
An astounding piece of Power Violence meets Avant-garde Black Metal history in “Nervures” from French trio Michel Anoia landed quite literally in our laps ahead of its release last month and once we’d heard it once, we were addicted as the band leap through rings of fire in Metal subgenre form with consummate ease. Once
“The horizon darkens, and the water hardens. The story continues for Michel Anoia on Nervures just as much as it ends, an initiatory journey that has only just begun. From v*olence suffered and acted out, from past experiences to that of the present. The seven songs on Nervures evoke the pangs of guilt and torments
