Category: Review

Review: “Overtime” by Respect For Zero

Six long years after their last taped confession in 2019 album “My Sacrifice”, Italian Hardcore Homewreckers Respect For Zero have returned with a clenched fist. Once again channelling the rage of a generation raised in the suburbs where global culture was suppressed by the church, they offer four fresh cuts mastered by Leandro Ferraiuolo (Fulci, Rainswept, Blvd

Review: “Oblation ov Obliteration” by Nefas

“With Nefas, Rajan Davis and crew have crafted an eclectic array of both musical and vocal approaches, that push the boundaries of creativity and extremity further than most new bands these days; while still remaining at all times challenging, interesting and memorable. I’m super glad that Rajan finally has a proper, personal showcase of the

Review: “End Time Lightning” by Upon Stone

“End Time Lightning represents a window into the next evolution in Upon Stone. More grandiose, detailed and sharpened than before, while still retaining the visceral unfiltered darkness in its core essence. A brief journey through somber yet glorious spiritual warfare, and a truly collaborative effort that sees everyone in the band pushing themselves to new

Review: “Blood Moon Sacrifice” by Margantha

“We always begin with the concept. The music follows naturally, often starting with a guitar riff or arpeggio, and evolving through a collaborative process. We’re not interested in technical exhibitionism. Every choice serves the narrative. The resulting material is raw, evocative, and direct—true to the spirit of black metal, but enriched with depth and atmosphere.”

Review: “Self Titled” by Hessian

“The self titled Hessian E.P. represents a homage to certain underground blackened first and second wave styles in which I have an unspoken loyalty to, but seek to expand how that essence is captivated. The dark primal and bestial force of an ageless belief in a very intense, raw, and primitive format, hence there is

Review: “newviolenttrends” by En Masse

“If there’s anything I’d want someone to feel while listening to this EP, it’s a sense of urgency. Ultimately, it’s about finding balance within yourself and embracing the autonomy you have in a seemingly hostile world.” – Zack Santiago, vocals.

Review: “Where Only The Truth Is Spoken” by Malevolence

“The story behind each song comes from lived experiences rather than just meaningless words on the page. It’s not all just about anger or aggression; there’s a lot of weight in the words across the whole album, whether that’s addressing personal struggles, the state of the world, or the highs and lows of life. It

Review: “Thy Kingdom Come” by Acts Of Vengeance

Recorded in the depths of winter in 2025, “Thy Kingdom Come” is an exploration of the dark themes of Gods, false messiahs and corrupted power from Hertfordshire Metal heads Acts of Vengeance. Known for creating a sonic cocktail that blends Thrash with Death and Black Metal to create a bubbling cauldron of fury, the four

Review: “24 oz Cantrip” by Rotgut

“Born fully formed, screaming, and covered in goo out of the dumpster behind DaVinci’s pizza on Merrick Road, a horned figure scrambled blindly through piles of empty paint cans, ceramic vases, and angry cats in order to move undetected. He found refuge in a musty old cellar. After pulling his foot loose from the bucket

Review: “Ascension” by Accursed

Hailing from Connecticut and specialising in Melodic Death Metal with Progressive and Thrash leanings, Accursed formed in 2019 before going through a few different members to get their line up stable. That didn’t happen until 2024 with vocalist Will Devereaux the final piece of the puzzle as he joins bassist Chris Dwyer (100 Proof), guitarist