Category: Review

Review: “Self Titled” by Pineland Moor

Born from the bond of three brothers, Pineland Moor hail from Lahti, Finland. The project was started in 2023 with the band a group of seasoned veterans known for playing their part in the likes of Forte Ruin, Weren, Pressure Points, Aurea Mentis and Orpheria over the past fifteen years or more. Musing on themes ranging

Review: “Towers” by The Machinist

Not to be confused with the Brad Anderson directed 2004 psychological thriller film starring Christian Bale for which he was so thin it’s painful, The Machinist are a Manchester based Industrial Blackened Death Metal trio who have been musing on the darker themes of Science Fiction for the past six years. In that time they have

Review: “Veil Of Revelations” by Worship The Sacrifice

Let’s start with a simple question. Where do you see yourself in the next five years? If you’d asked London “Melo-Chaotic Death Metal” act Worship The Sacrifice that question in 2021 we very much doubt they would have said they would have played over a hundred shows opening for everyone from Distant to Harbinger and Osiah. Furthermore we doubt they

Review: “Doomsday Profit” by Enquire Within

Recorded and mixed at The Joplin House with producer Dan Lucas (Pryma) and mastered by Dave Greenberg (Feed The Rhino), a third studio album from London Metal act Enquire Within has arrived in “Doomsday Profit“. Adorned by artwork from Very Metal Art (Tyketto, Skindred, Tailgunner), the record celebrates a decade of the bands existence during which they’ve performed

Review: “Existence” by No Terror In The Bang

Exploring humanity’s downfall across cosmic, physical, social, environmental, and mortal dimensions, “Existence” is the third record from French Cinematic Progressive Metalcore quintet No Terror In The Bang. Each track exposes a distinct layer of collapse, interrogating destiny, purpose and the deeply rooted self-destructive impulses that define the human condition.  Recorded, mixed and mastered by Sébastien Langle

Review: “Chaos Etiquette Vol. 1” by Interpreter

Back in 2022 the world looked very much like it was the Oyster of Nashville, Tennessee Deathcore quarter Interpreter. A year earlier they’d hit a home run with EP “Dirtmound” which had opened doors for the band to open for the likes of While She Sleeps and Enterprise Earth. Then suddenly drummer Aaron Hugen exited stage

Review: “If You’re Not Fucking Angry…” by Bags of Blood

It seems that Bags of Blood have mastered the art of the sucker punch, unleashing their debut EP “If You’re Not Fucking Angry Then You Haven’t Been Paying Attention” upon an unsuspecting World on April Fools day without any form of advanced warning. No campaign trail. No social media. No advanced listen. No evidence of

Review: “Siege The Walls” by Dying Realm

They say you should never judge a book by its cover but adorned by artwork from Ardha Lepa (Creeping Death, Existentialist, Parasital Existence) the debut EP “Siege The Walls” from Birmingham Death Metal quintet Dying Realm certainly looks the part. Add to that the simple fact the record was mastered by Brad Boatright (Obituary, Internal

Review: “Slave Machine” by Nervosa

As we reach the sweet sixteenth year in the existence of Brazilian Death Thrash overloads Nervosa it seems like a great time for them to give us their sixth studio album “Slave Machine“. Once again produced by Martin Furia (Sisters of Suffocation, Howler, Chemicide) of German legends Destruction, the band seeking once more to bridge the

Review: “Exhumation Evilean” by Evilean

Brutally exhumed in MMXXVI in Sydney Australia, Evilean are a band who pay homage to the 90’s Death Metal sound while delivering lyrical narratives from a female perspective. Reversing the flow of traditional power dynamics, embracing chaos, annihilation and retribution in unflinching fashion, it is written on ancient scrolls that their purpose is to evoke