Tag: As Blood Runs Black

Playthrough: “The Philosopher” from Dååth!

A month after the band played tribute to the legacy of Chuck Shuldiner Dååth guitarist Eyal Levi plays through a cover of “The Philosopher” by Death showing off the Neural DSP Quad Cortex. The studio rendition of the cut sees them joined by a pair of guests laying down guitar solos, the first of those is

NEWS: Dååth revise their philosophy?

Paying tribute to the legacy of Chuck Shuldiner and Death the reformed Dååth have shared a cover of “The Philosopher” which sees them joined by not one but two guests laying down guitar solos. The first of those is Rafael Trujillo (ex-Obscura, Obsidious) while the second is Dan Sugarman (Ice Nine Kills, As Blood Runs

NEWS: Angelmaker take on As Blood Runs Black classic!

Soon to be upon our shores with Shadow Of Intent, Enterprise Earth and To The Grave are good ol’ fashioned Melodic Deathcore collective Angelmaker. The Canadians will be bringing with them cuts from their March released “Sanctum“, a record mixed and mastered by Will Putney (Knocked Loose, Fit For An Autopsy, Body Count) and have

Throwback: “Drop The Match” from Winds Of Plague!

The sands of time have a tendency to slip through the fingers when you’re not paying attention and it seems impossible that the critically acclaimed “Against The World” from Californian American Symphonic Deathcore collective Winds Of Plague has reached its 10th Anniversary. But the Century Media release with guest vocal appearances from Jamey Jasta of

Throwback: “Resist” by As Blood Runs Black!

The brainchild of drummer Hector “Leche” De Santiago, Los Angeles Californians As Blood Runs Black blended the styles of Melodic Death Metal and Deathcore during their initial twelve year long siege. In that time the widely respected band may have only managed a trio of albums but it wasn’t for the want of trying with legalities,

Review: “God Of Dead Roots” by Sicarius

Formed in 2014 in Inland Empire California, Black Metallers Sicarius might not be a house hold name despite their 2017 critically acclaimed debut album “Serenade of Slitting Throats” being hailed by Decibel Magazine for “combining black metal with a violent immediacy and pairing it with a bloody, corpse painted aesthetic” but they could actually be considered a