If you did a survey back in 1998 there would have been few who thought that Soulfly would still be a going concern in 2024 but 28 years after frontman and guitarist Max Cavalera left Sepultura the band are back in London and still here and going strong. We had the pleasure of witnessing them
When he’s not busy re-creating his former glories in Sepultura, the man, the myth and the legend that is Max Cavalera still wants to create new music in Soulfly. They will be touring their current album “Totem” across Europe starting in France at the end of July and spending in Wales at the end of
Having just returned to roots a couple of days ago with the release of the re-recorded versions of “Bestial Devastation” and “Morbid Visions“, mixed and mastered by Arthur Rizk (Municipal Waste, Kreator, Jungle Rot), you could be forgiven for thinking that Nuclear Blast might give the Cavalera brothers a rest. But not so as the label
The studio version of a track which has been in the live set of Soulfly for over a year has been released as a single in advance of the bands new album “Totem“. Recorded at Platinum Underground in Mesa, Arizona with Max Cavalera and Arthur Rizk (Code Orange, Cavalera Conspiracy, Power Trip) splitting the production
Ahead of the release of their twelfth studio album “Totem” on 5th August via Nuclear Blast, it’s time we take a trip down they yellow brick road that is memory lane and talk about the third album from Soulfly as it reaches its 20th Anniversary. Recorded at Chaton Studios in Phoenix Arizona, “Om” an album
When it comes to Death Metal Zaporizhia, Ukraine’s Hell:on have a fierce reputation and having worked with the likes of Andreas Kisser of Sepultura, Jeff Waters of Annhilator, Andy LaRocque from King Diamond and Marek Pajak of Vader during their previous recordings, their long awaited sixth studio record becomes a highly anticipated one. Oleksiy Pasko (guitars), Oleh Talanov (drums), Oleksandr Sitalo (bass), Oleksandr Baiev (vocals)
Arguably the re-birth of Soulfly from more stripped back sound so a full on Metal onslaught thanks to the much more technical sounding riffs of Marc Rizzo and thunderous bass from Bobby Burns, “Dark Ages” saw the band resurgent in 2005. It remains to this day one of the bands darkest releases exploring aggression and
“The Great Southern Trendkill” was released in 1996 to some critical acclaim. Not only Pantera‘s eighth studio album, but widely considered their most aggressive to date and the first to feature Drop G downtuned guitar work. By this point in their career there were growing tensions in the Pantera camp (allegedly due to the Abbot brothers taste for Whiskey and Anselmo’s hunger for Heroin) which
Braintee in Essex is the home of Industrial Electronicia pioneers The Prodigy. Rising from the back of the early 90’s rave scene, the bands third album “The Fat Of The Land” released in 1997, build on their previous hard work to critical acclaim and huge commercial success. Going Multi Platinum, the single “Fire Starter” was
