The Ronnie James Dio main stage at Bloodstock Open Air Festival earlier this summer was a hive of activity with more band members, crew and camera operatives than you could ever want to meet down the pub all getting their s*** done so that the Festival goers could get their fix and what more fix
Returning to this summer’s 20th anniversary incarnation of Bloodstock Open Air Festival for another cut from Cradle Of Filth seems like an obvious choice with the band celebrating one week of their new album “Existence Is Futile“, especially as tonight will see the band freshly back from America and at London’s Roundhouse for the album
Back in San Francisco, California on 26th October, Extreme Metal legends Cradle Of Filth played the final show of a tour with Once Human that saw them play fan favourite “Cruelty And The Beast” in full. From that set at the Regency Ballroom, here’s “Beneath the Howling Stars” courtesy of Iron Serbian. This weekend band
Like a nightmare conjured by the mind of Oswald Chesterfield Cobblepot, Cradle Of Filth have completed a run of shows playing “Cruelty And The Beast” with Once Human in tow and “Thirteen Autumns And A Widow” has been caught on camera from their set at The Regency in San Francisco California on the final night, 26th
As “Existence Is Futile” gives us an epic 70 minutes of new music from Cradle Of Filth, Bloodstock have given us one of the new cuts in “Crawling King Chaos” from it, raided from the bands set at the 20th Anniversary of the Festival, pro-shot in Technicolor glory. It seems surreal that the Witch country
Adorned by artwork created by Arthur Berzinsh, who also worked on the bands previous outings “Hammer of the Witches” and “Cryptoriana – The Seductiveness of Decay” and was inspired by “The Garden of Earthly Delights” by Dutch artist Hieronymus Bosch, “Existence is Futile” by Cradle of Filth is set for arrival via Nuclear Blast on
Six months after the title “Existence Is Futile” was given to the wolf pack baying for blood at the door of Witch country natives Cradle Of Filth, we finally have the first taste of what their thirteen studio album might sound like in ″Crawling King Chaos“. Recorded at Grindstone Studios with regular producer Scott Atkins,
Not only is this live show the first for Suffolk Extreme Metallers Cradle Of Filth since 2019 but it also marks live debut of a new keyboard player after Lindsey Schoolcraft made her exit from the group some 15 months ago. That happens to be Annabelle Iratni who is a classically trained mezzo-soprano vocalist with
The first show from Cradle Of Filth since 2019 will see the Suffolk Extreme Metallers give a live debut to a new keyboard player after Lindsey Schoolcraft made her exit over some 15 months ago. The band, who have announced a new album in “Existence Is Futile”, their first in four years will be appearing
