Adorned by artwork from guitarist and vocalist Justin Stubbs titled “Salvation 14.5” the latest burnt offering from Atlanta Georgia Death Metal bruisers Father Befouled continues a journey down the left hand path that started in 2006. The past eighteen years have seen five albums, five splits, three EPs, a live album and a demo from
Filmed at Metal Doctrine Festival in Poland on 13th August, dedicated drum cam footage of Pete “Commando” Sandoval hammering out “Dominate” and “Where The Slime Live” in his role as the man behind the grassy knoll for I Am Morbid has arisen from the black depths. There can’t be many who don’t know that the
Having been formed in 1983 in Tampa Florida by guitarist, primary composer and the now sole remaining original member Trey Azagthoth, 2023 marks the 40th anniversary of American Death Metal legends Morbid Angel. It would be another three years before they released any music with “Bleed for the Devil” landing in 1986 as the first
Continuing down the path of waterfall releasing a seemingly endless amount of new singles (we’d love to know how big the stockpile is and how long they’ve been working on them) are returning Death Metal mercenaries Dååth who have unveiled a cover of the Morbid Angel classic “Where The Slime Live“. This one features a
“Burker is the bastard son of a broken society and the creative angst of its mutant misfits. The lyrics are the putrid prophecies of a lunatic’s fever dream. The music is as hauntingly beautiful as it is baleful and their sermons are guttural lullabies for the lost children of this lurid world.” ~ Burker
The brainchild of guitarist and vocalist Martin Elliott, Durham Death Thrash trio Mortal Chains have set sail on the seven seas of Metal with their maiden voyage a self titled EP that strikes a chord with an Old School sound created with the help of Neil Combstock at Rocking Horse Studios across five intriguing cuts.
Mixed and mastered by Damian Herring (Blood Incantation, Horrendous, Father Befouled) at Subterranean Watchtower Studios and adorned by artwork from Adrian Baxter (Alunah, Paradise Lost, VI), “Spears Of The Aten” may have been as long as five years in the making. It follows the 2017 “Beneath The Pharaonic Necropolis” demo with which Tyrannos turned heads
Following on from their 2017 demo, “Beneath The Pharaonic Necropolis“, London based explorers of the extreme Tyrannos have returned. This time they bring with them four songs of challenging, boundary smashing death metal, four songs steeped in horror and swathed in mystery, four songs that will take you on a journey into the heart of
Back in 1995 Earache Records were a label on the very cutting edge of the razor blade of pioneering Extreme Metal, pushing the envelope of bands in both Grindcore and Death Metal genres and gaining much respect for doing so. Lead by riff lord Trey Azagthoth, American Death Thrash pioneers Morbid Angel dropped just their
Adorned by “Les Trésors de Satan” by Belgian Symbolist painter Jean Delville as its cover artwork, “Blessed Are The Sick” remains the career defining moment for Tampa Florida Death Metal legends Morbid Angel as the center piece of a holy trinity of albums considered rightfully as the most influential in the genre. Released 20 years so
