How many times can we rehash the same text to make a news piece about something related to Wraith Funeral simply because they are the most mysterious of bands who simply let the music do the talking? How long is a piece of string? What is new is that the Deathcore machine have gone from
“Where do you go when you close your eyes, Far from my reach, I watch you float into the sunrise, Will I meet you again when I reach the end, Forever lost to time, farewell my long lost friend”
A fifth single which seems to have some form of subliminal reference to a darker version of the tale of Little Red Riding Hood has emerged from United Kingdom Deathcore monsters Wraith Funeral. Titled “Witch King” it once again finds Tom Cadden (To The Grave, Deadskin, Body Prison) at Violent Sound behind the boards for
Once again mixed and mastered by Tom Cadden (To The Grave, Deadskin, Body Prison) at Violent Sound, a fourth single from Deathcore monsters Wraith Funeral has reared it’s ugly head in one called “As I Let The Devil In“. Nothing to do with Loathe or Currents who both have very similarly titled cuts, this one
What do “Mortem Obire“, “Final Breath” and now “Plague Worship” all have in common? That’s right, they’re the first three singles from the mysterious United Kingdom Deathcore monster known only by the trail of the dead and Wraith Funeral. That is all the evidence that has been submitted before the court of the Metal Gods,
“Baby, I’ll try to love again, but I know, The first cut is the deepest, Baby, I know, the first cut is the deepest, When it come to being lucky, she’s cursed, When it come to loving me, she’s worst”
It looks like a pattern of murders echoing the Seven Deadly Sins is about to take place judging by this new single “Mortem Obire” from Wraith Funeral so its time to get Detective William R. Somerset on the line. In truth the band (or perhaps solo artist?) are shrouded in a cloak of mystery, except for a