Exclusive Interview: Ephemera talk writing and recording “Somewhere Between Order and Chaos”!
How did you find working with Beauty School guitarist Grant Beeden Clayton to mix and master “Somewhere Between Order and Chaos“? What made you choose him in the first place? “Well firstly we cannot thank grant enough for making this record with us. He is truly a gifted and humbly talented individual. The world knows him from beauty school but we know him from his other band Zealous. They have a couple of singles floating around Spotify. Our favourite is scratch. The tones he got with this song made us want to work with him. He makes us all welcome in the studio and everytime it’s a joyful experience. Each song takes about 4 hours to record and track. We are a well oiled machine in the studio these days and if it wasn’t for grant we certainly wouldn’t be where we are as a band today”
If you had the opportunity to work with a guest in the studio next time around, who would you like to work with and why? “[Underoath vocalist and drummer] Aaron Gillespie , simply from a fan perspective. [Killswitch Engage guitarist and producer] Adam D from a production perspective. [Producing, mixing and mastering legend and END guitarist] Will Putney from an inspired perspective. Each of these guys would be an absolute dream to meet let alone work with. Let’s see where the future takes us…”
For us gear nerds out there, can you tell us what you’re using gear wise (pedals, strings, drums etc) to get your sound? “Fuck kempers. All old school. Pedal board with noise gate octave pedal, tubescreamer and orange heads and a big ass cab. If there isn’t feedback we don’t want it. Hardcore grunge all the way. We could go into detail but if you imagine how it was 15 years ago we are more like that than modelling amps and perfection. It’s important we play live hard and bring a show, the recordings are there to hear it refined. Live is there to experience it as a performance. We have to use coated strings as they don’t break as often and we can physically hit our instruments”
What difference would it make to you as a band if you could land an endorsement from a gear manufacturer? “Well something like this would be incredible, we would probably smash way more things up live if we didn’t have to replace them. Ha ha ha to be honest it hasn’t stopped us so far but we have to choose to hold back destroying our gear on the first day of a 12 date tour… if we didn’t have to buy our own equipment we probably be banned from most venues”