Florida’s Must Not Kill have celebrated the arrival of new EP “Junkfood Patriotism” with not one but two singles. The Crossover Thrash act, the vision through bloodshot eyes of former All Out War guitarist Brad Mader have chosen “Burn All The Flags” from the record for the lyric video treatment while also unleashing a cover
Almost three years after the quest for the legendary cursed blade of a night tyrant began with 2019’s “Of Snow And Blood“, the return of the Scandinavian influenced Baton Rouge Louisiana based Melodic Blackened Death Metal Glacial Coffin with sophomore album “Scorched Realm” is an intriguing one. Not least because the line up that created
After two well received EPs in “Pain, Sex, and Rapture” and “Blood Moon Sadism” (the later being mastered by Joel Grind of Toxic Holocaust) released in January and February this year, Austin Texas Blackened Thrash trio Sadistic Force have decided to go all out and release a full debut album in “Aces Wild” and end
Arguably the album that kick started the Metal glory days in the 1980’s was “British Steel” by Judas Priest, with huge singles “Living After Midnight” and “Breaking The Law“. Recorded at Tittenhurst Park, the home of former Beatle drummer Ringo Starr, it remains one of just three of their albums to be played live in
Formed at the turn of the century in Albacete, Spain, Angelus Apatrida are a Thrash quartet who have enjoyed sustained international recognition since their 2006 debut “Evil Unleashed” and have never looked back, inking a deal with their current label home Century Media in 2009. So in an era of Thrash resurgence with bands like
Back in August 2011 American Technical Death Metallers Revocation came out to play with “Chaos of Forms“, which had been recorded at Damage Studios in Southbridge, Massachusetts with Producer Peter Rutcho. Their third studio record and the last album to feature their original bass player, Anthony Buda it also marks the first album to feature guitarist
Born of fire and ice in Helsinki Finland in 1995, Ensiferum (meaning “Sword Bearing”) have been bringing their brand of Folk Death Metal to the masses since 1995. A trio of high quality demos landed them a deal with Spinefarm Records and they entered Sundi-Coop Studios in November 2000 to record their debut self titled album,
Little did we know at the time, but the sixth studio record from San Diego Californian Metalcore Monsters As I Lay Dying would be their last for some 7 long years after its 2012 appearance via Metal Blade Records. Produced by Descendants drummer Bill Stevenson with recording split between The Blasting Room in Fort Collins
5 years have passed since 2015’s critically acclaimed “Tears of the Ages” from Divine Weep. Originally starting out life as a Black Metal band back in 1995, they evolved with long periods of inactivity to take influence from bands like Iron Maiden and Judas Priest and with new members in the fold recorded a debut
To accompany our review of their sophomore album “We Die As We Live“, we spoke to vocalist and guitarist Ali Khan and bassist Alex Bain about all things Suffer No Fools and their answers to our questions are as great at the album itself. Which is pretty damn amazing, if you like a face melting solo
