Just before Gingerbread John McClane gets put back in his box for another year, it’s time said thank you to a few people for another fantastic year of Metal Noise. Breaking out of the lockdown of what we’ve affectionately called the plague years live shows were in full effect and we were able to bring
“Seaborne Monstrosity”, “Corpse-Strewn Path to the Citadel” and “Navigating the Transept” are just three of the works of Vikvanir, the project of Sydney Australian based multi instrumentalist and composer Zachary Carlsson also known for this work in Black Trillium. Inspired to write in Black Metal with Doom, Death and even Progressive Metal influences creeping in, his debut
Last month saw the release of a record some four years in gestation, inspired by Norse mythology and epic fantasy from Vikvanir, the project of Sydney Australian based multi instrumentalist and composer Zachary Carlsson. A Black Metal record adorned by cover artwork from the late wonderful Mariusz Lewandowski and with orchestration from Elise Carpio, “On
Inspired by Norse mythology and epic fantasy Vikvanir is the project of Sydney Australian based multi instrumentalist and composer Zachary Carlsson who promises Black Metal as the basis for a debut offering with influences of Doom, Death and even Progressive Metal as he takes us on a journey to Valhalla. Adorned by cover artwork from