From their inception in 2018 to the release of their debut EP “Descent” a couple of weeks back, Bristol trio Moon Reaper have been at the coal face, creating spine crushing Metal that moves through sub-genres like a Juggernaut changing gears on the highway to hell, blending elements of Doom, Post, Progressive, Black and Sludge
“Descending from the eternal darkness that lurks between the stars, that ineffable absence of light that seems to seethe with a hunger that could consume galaxies in the moment of silence between two heartbeats, from that blackness beyond night he comes – with the fate of a world in his cold, dry hands and the
What do you do when you’re a drummer light and about to record an EP? You get the multi-instrumentalist who you’ve hired to record and mix the EP to play them! So falling on their feet, Brisbane, Australian Metallic Hardcore act Bled Out asked the legendary Brendan Auld (Snorlax, Descent, Feculent) to do just that
What happens when a collection of four musicians known for their work in Black, Death and Thrash Metal get together in a rehearsal space and play some Jack Daniels Beer Pong? Ideas are birthed, bonds are forged and the end product is a both a new project and a new record. The project is called
How is it that some musicians can keep their fingers in many pies, spinning the plates of multiple projects simultaneously while keeping each one different and distinctive? For Resin Tomb who feature members of Siberian Hell Sounds, Descent and Snorlax among others in their ranks, it’s a challenge. Vocalist Matthew Budge, drummer Perry Vedelago and
Formed in 2018 with members of Siberian Hell Sounds, Descent & Snorlax, Resin Tomb pull’s influence from Dissonant Death Metal to Blackened Grind. An exhibition of torture, deprivation and sewer dwelling hatred, their long germinating self-titled debut EP is set for release on 31st July and showcases the Brisbane scene once again demonstrating their unholy
Enter Snorlax, the wretched grind-child and one man progeny of Brendan Auld, head of the prolific Black Blood Audio in Brisbane, Australia. Brendan’s vile creativity extends deep into the Brisbane underground, summoning some of the filthiest the Australian East Coast has to offer with current and past work in Descent, Siberian Hell Sounds, Consumed, Dire
