Tag: The End of All Things to Come

Bootleg: “Dig” from Mudvayne!

Daytona international speedway saw this year’s incarnation of Welcome To Rockville take place in Daytona Beach Florida on 14th November and amongst those performing were the reformed Mudvayne whom many have noticed to have a second guitarist in their ranks. He’s Marcus Rafferty, a veteran guitar technician who previously worked with Lamb of God, Hatebreed, Saxon

Bootleg: Mudvayne at Inkcarceration Festival!

The long awaited return of Mudvayne to the stage took place on 11th September at Ohio State Reformatory as they played their first show together in 12 years. Inkcarceration Festival was the venue that saw the quartet rip through a career spanning set that ignored they 2009 self titled album instead opening with “Not Falling”

Bootleg: Mudvayne at Rock Am Ring!

There has been a lot of talk about a possible return for Mudvayne pretty much since forever and now that 2021 is set to see them reunited for at least a US Festival run in the summer, it seems like the nostalgic love for them will finally reciprocated. For us, the first two albums when

Listmania: 20 Years of “L.D. 50” by Mudvayne!

The influence of Mudvayne shouldn’t be underestimated when it comes to Technicality and during in their early records a certain amount of Progressive nature. Born out of the Nu-Metal era and featuring largely introspective lyrics from vocalist Chad Gray, they also made use of polyrhythmic sounds with guitarist Greg Tribbett and bassist Ryan Martine producing

Bootleg: Mudvayne in New Jersey!

Filmed at Old Bridge in New Jersey on 18th September 2000 at the Birch Hill Nite Club, here’s a full set from Mudvayne courtesy of Liberated Tape Archive. It’s a second generation tape transfer from the bands “L.D. 50” era which has reached its 20th Anniversary this year and includes “Dig“, “Death Blooms” and “Under

Throwback “Not Falling” from Mudvayne!

It’s time for us to say a few things that might be considered controversial. First off for us, while “Dig” was without a doubt the groundbreaking single from Peoria Illinois quartet Mudvayne, it was their complexities, their use of odd time signatures and tapping sequences and the playing that appeared on their first pair of